In November 2025, the rhythmic pulse of Singapore will travel halfway across the world to Indianapolis, where Morse Percussion will make history as the first Singaporean ensemble ever invited to perform at the Percussive Arts Society International Convention, or PASIC, the world’s largest percussion gathering. For founding member Joachim Theodore Lim, the invitation is more than a concert date; it is a moment of recognition and pride.
“Since our inception, our vision has been to actively collaborate and commission works whilst pushing the boundaries of contemporary classical percussion music through refined artistry and compelling productions,” he shares. “Being invited to PASIC is a nod of recognition to this as we relentlessly aspire to continue being Singapore’s leading contemporary classical percussion group. It’s an immense honour and privilege to represent Singapore on such a global platform, a responsibility we do not take lightly.”
Often described as “the greatest four days in drums and percussion”, PASIC draws thousands of musicians, educators, composers, and industry figures from every corner of the world. For Morse Percussion, it is a chance to immerse themselves in a vast exchange of ideas. “With so many events happening across four days, we plan to attend clinics that resonate with our vision and build upon our ideas for the future,” Joachim says. “Meeting people from diverse backgrounds allows us to exchange thoughts that help clarify our own pedagogy and ideologies.”
But beyond learning, there is a deep sense of purpose. “As the first Singaporean group to perform at PASIC, we’ve become ambassadors for our country,” he continues. “We’re bringing our culture to people who may not know of us. Locally, this invitation is a recognition of the work we’ve put in, showing that we’re competent, serious, and here for the long run.”
Their PASIC showcase, Singapore Sounds, captures the ensemble’s essence, a dialogue between tradition and innovation. The programme features works by Dr. Tony Makarome, Cheng Jin Koh, and Julian Wong, alongside a new composition written by Joachim Lim himself, specially for PASIC 50. “These pieces feature a multitude of techniques and styles reflecting our cultural background, representing the four main races in Singapore and telling the story of why our nation is unique,” he says. “It’s a concert about who we are, our traditions, our blend of influences, and our forward-looking spirit.”
True to the group’s artistic identity, the performance blends Asian traditions with contemporary percussion practice, creating a sound world both familiar and fresh. “We usually introduce each piece to give our audiences context,” Joachim explains. “Our programme includes familiar Singaporean folk songs like Rasa Sayang, Singapura, and Semoga Bahagia. It’s crucial for us to introduce these pieces properly, because for many in the PASIC audience, this will be their first time hearing them. That connection through music, that spark of curiosity, is what we hope to create.”
Even before their American debut, Morse Percussion is already looking ahead. “Following PASIC, we’ll be presenting a showcase of our PASIC performance locally, and continuing our educational and chamber work with the YST Percussion Department,” Joachim reveals. “There are already some plans in the works, both locally and regionally, but we can’t share them just yet.” The ensemble remains focused on growing the ecosystem of contemporary percussion in Singapore and Southeast Asia, nurturing collaboration with composers and educators, and building bridges through rhythm.
As the group prepares to step onto one of the most prestigious stages in the percussion world, Joachim reflects on what he hopes the audience will remember. “Having studied in America, we’ve witnessed firsthand their culture and abilities,” he says. “If there’s one takeaway we’d like them to have, it’s that Morse’s level of performance is on par with theirs, perhaps even better. It’ll be the greatest show of Asian and Singaporean pride, knowing we’ve succeeded in elevating our nation and representing it on this international stage.”
In that moment, every beat of the drum will speak of Singapore, a small island with a big sound, carried by rhythm, perseverance, and pride.